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Henry Moore

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24 February  –  8 August 2010
Tate Britain  Linbury Galleries
Millbank
London SW1P 4RG

Radical, experimental and avant garde, Henry Moore (1898-1986) was one of Britain’s greatest artists. This major exhibition will re-assert his position at the forefront of progressive twentieth-century sculpture, bringing together the most comprehensive selection of his works for a generation. Henry Moore will present over 150 significant works including stone sculptures, wood carvings, bronzes and drawings.

Henry Moore will reveal the range and quality of Moore’s art in new ways – sometimes uncovering a dark and erotically charged dimension that challenges the familiar image of the artist and his work. Henry Moore first emerged as an artist in the wake of the First World War, in which he served on the Western Front. This exhibition will emphasise the impact on Moore’s work of its historical and intellectual contexts: the trauma of war, the advent of psychoanalysis and new ideas of sexuality, and the influence of primitive art and surrealism.

The exhibition will explore the defining subjects of Moore’s work, including the reclining figure, the iconic mother and child, abstract compositions and seminal drawings of London during the Blitz. The exhibition will assemble a group of Moore’s great reclining figures carved in Elm wood, the largest number ever to be brought together. These beautiful, heavily grained works show the development of the reclining figure over the course of Moore’s career. The recurring motif of the mother and child will be explored throughout the exhibition. Moore called it his ‘fundamental obsession’, and presented a complex vision of the maternal relationship, ranging from the nurturing bond of Mother and Child 1930-31 (Private Collection), to Suckling Child 1930 (Pallant House).

 

Arshile Gorky: A Retrospective

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10 February – 3 May 2010
Tate Modern
Bankside London SE1 9TG


Tate Modern presents the first major retrospective of Arshile Gorky (c.1904-1948) to be seen in Europe for twenty years. Celebrating one of the most powerful and poetic American artists of his generation, Arshile Gorky: A Retrospective examines the extraordinary contribution of this seminal figure in Abstract Expressionism. The exhibition spans Gorky’s 25 year career and offers the opportunity to see this complex and moving body of work as a whole. It includes more than 120 paintings and works on paper, many of which have not been shown in the UK previously.

With little formal academic training, Arshile Gorky absorbed European Modernism through both his studies and teaching and went on to become a pivotal figure in mid-century American art. In New York in 1941, Gorky encountered the exiled European Surrealists, whose leader, André Breton, welcomed him as part of their movement. His lyrical abstractions anticipated Abstract Expressionism, which emerged in 1940s New York amongst a circle of artists who valued spontaneity of expression and individuality, including Jackson Pollock, Willem de Kooning and Mark Rothko. Gorky’s assimilation of European and American influences resulted in a distinctive synthesis of artistic cultures. Paralleling the Surrealists’ idea of automatism – the free flowing release of the hand from conscious control of the mind - he forged an entirely new type of abstract painting.

Structured around a number of significant moments in Gorky’s oeuvre and arranged broadly chronologically, the exhibition reveals the evolution of Gorky’s visual vocabulary. It reassesses work from the 1920s and 1930s throwing light on the significance of early developments in his practice. Highlights include the remarkable pair of paintings The Artist and his Mother (circa 1926-36, Whitney Museum of American Art, and 1929-42, National Gallery of Art, Washington) which act as memorials to Gorky’s lost childhood and confrontations with exile.

 




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